Hand Props
This is a cigarette box built for DANGEROUS CORNER at UNCSA. Marbling done by Lead Artisan Ross Stephens.
This is a cigarette box built for DANGEROUS CORNER at UNCSA. Marbling done by Lead Artisan Ross Stephens.
These are process photos of my work smithing a pair of scissors out of a railway spike.
These are process photos of my work smithing a pair of scissors out of a railway spike.
For the world debut of MR. HOLLAND'S OPUS directed by BD Wong, I crafted these black-and-white etch work cut-outs.
These were made from lauan, pink foam, elastimeric, and paint markers. The shapes were jigsawed out of the luaun and pink foam.
For the world debut of MR. HOLLAND'S OPUS directed by BD Wong, I crafted these black-and-white etch work cut-outs.
This was a class project for University of North Carolina School of the Arts.
I first sculpted the antler out of clay before painting and distressing.
This was a class project for University of North Carolina School of the Arts.
Made for PASSING STRANGE, these unique teacups and saucers were sculpted by artisan Josh Lawson and molded and casted by myself. PASSING STRANGE University of North Carolina School of the Arts Director: Christopher Burris Set Designer: Gisela Estrada Properties Director: Becky Hicks
PASSING STRANGE University of North Carolina School of the Arts Director: Christopher Burris Set Designer: Gisela Estrada Properties Director: Becky Hicks
Here are all four of the teacups and saucers before being sanded and sealed. PASSING STRANGE University of North Carolina School of the Arts Director: Christopher Burris Set Designer: Gisela Estrada Properties Director: Becky Hicks
Made for PASSING STRANGE, these unique teacups and saucers were sculpted by artisan Josh Lawson and molded and casted by myself. PASSING STRANGE University of North Carolina School of the Arts Director: Christopher Burris Set Designer: Gisela Estrada Properties Director: Becky Hicks
This key was first designed and then 3D rendered so we could print half of the key. The key half was then molded so that two casts could be put together and be a whole key. Then the head piece was laser-cut by a Glowforge which was then inserted. The final step was a gold finish! There were 3 different keys that were built, but only one made it to stage. Designed by Gisela Estrada 3D Rendering by Miles Maline Glowforge Rendering by Henry Beard Mold/Casting by Becky Hicks
PASSING STRANGE University of North Carolina School of the Arts Director: Christopher Burris Set Designer: Gisela Estrada Properties Director: Becky Hicks
PASSING STRANGE University of North Carolina School of the Arts Director: Christopher Burris Set Designer: Gisela Estrada Properties Director: Becky Hicks
This key was first designed and then 3D rendered so we could print half of the key. The key half was then molded so that two casts could be put together and be a whole key. Then the head piece was laser-cut by a Glowforge which was then inserted. The final step was a gold finish! There were 3 different keys that were built, but only one made it to stage. Designed by Gisela Estrada 3D Rendering by Miles Maline Glowforge Rendering by Henry Beard Mold/Casting by Becky Hicks
This is a production photo of the Altar Boyz of ALTAR BOYZ praying over the Bingo Wheel of Confessions. Inside of the wheel, there are confessions slips, "filled out" by the audience. The actors read scripted slips out loud. ALTAR BOYZ Black Hills Playhouse Director: Justin Speck Set Designer: Amber Marisa Cook Properties Designer: Becky Hicks
Before the show, the audience is invited to fill out these slips that I designed. They are collected in a collection basket, like church. Even though they are not actually put into the bingo wheel, it is fun for the audience. ALTAR BOYZ Black Hills Playhouse Director: Justin Speck Set Designer: Amber Marisa Cook Properties Designer: Becky Hicks
After praying, the Boyz look to the soul sensor to see how the confessions affected the audience. ALTAR BOYZ Black Hills Playhouse Director: Justin Speck Set Designer: Amber Marisa Cook Properties Designer: Becky Hicks
This is a production photo of the Altar Boyz of ALTAR BOYZ praying over the Bingo Wheel of Confessions. Inside of the wheel, there are confessions slips, "filled out" by the audience. The actors read scripted slips out loud. ALTAR BOYZ Black Hills Playhouse Director: Justin Speck Set Designer: Amber Marisa Cook Properties Designer: Becky Hicks
As a part of the musical, I LOVE YOU, YOU'RE PERFECT, NOW CHANGE, I got to design two settlement checks for characters left unsatisfied in bed. The director and I discussed innuendos to put on the checks. I LOVE YOU, YOU'RE PERFECT, NOW CHANGE Black Hills Playhouse Director: Dan Workman Set Designer: Victor Shonk Properties Designer: Becky Hicks
Here, myself and my assistant model the checks after they were finished. I LOVE YOU, YOU'RE PERFECT, NOW CHANGE Black Hills Playhouse Director: Dan Workman Set Designer: Victor Shonk Properties Designer: Becky Hicks
As a part of the musical, I LOVE YOU, YOU'RE PERFECT, NOW CHANGE, I got to design two settlement checks for characters left unsatisfied in bed. The director and I discussed innuendos to put on the checks. I LOVE YOU, YOU'RE PERFECT, NOW CHANGE Black Hills Playhouse Director: Dan Workman Set Designer: Victor Shonk Properties Designer: Becky Hicks